So Dangerous - Presence (8) - The Sleeper Awakes + Live (Vinyl, LP) download full album zip cd mp3 vinyl flac
View credits, reviews, tracks and shop for the CD release of The Sleeper Awakes on Discogs.5/5(1). In was released on double CD and vinyl "The sleeper awakes + live", mastered reissue of the '94, plus a live cd work, with excerpts from various concerts of the band. In Presence released the album " Evil rose ", which contains, in addition to seven original songs, the cover of " The Prophet's Song " written by Brian May of Queen and. Entering the millenium Presence were someone put on hold, as Sophya Baccini focused on her personal lasbattnarposerbe.reureiranpatchcontdamrecavegekaci.co ''The Sleeper Awakes + Live'' album gives a taste of the band's live activity, but the next year Baccini made her first composing attempt, writing a track for the ''Kalevala'' compilation of Musea lasbattnarposerbe.reureiranpatchcontdamrecavegekaci.co the next years she participated in various works as guest singer, like.
Pleasers from left; Ben, Matthew, and Julian. The following artist who has continued to grace the pages and servers of Impose now for years hardly needs an introduction. The vintage garage sound of power pop and anarchic punk ethics are put in full form, where Melton makes an ode to the rejected rebels without cause or pause who look to others discarded by society and the school system to find each other only to ultimately own up to their own individuality.
When I moved to Austin, it only made sense to team up with my old buddy Ben Tipton and start a punk band. He is also the guy who could be held responsible for inspiring me to move to Austin in the first place! A true rock-n-roller, proud to know the guy. What pleased you the most about the making of the this EP, and with this side project?
I have always recorded everything myself so it was really chill, we just got some tacos and Bud Lights and did it at my house. Seriously though, its pretty easy, I just kind of mic everything up and try to get a good vibe going in the room and then add slap back on everything. Well I have written the new Warm Soda album and its going to be a bit more psychedelic than the first three I think, but you never know how its going to come out.
Rock and roll is here to stay. I try to stay living in the present as much as possible. It seems we have lost touch with our instincts and keep trying to create this new future world when what we really need to do is just go with the flow and stop trying to be like everyone else.
Introducing Pangs; photograph by Hunter Dixon. The economic DIY use of available electronic instruments and direct hit of hooks create unusual ear worms that wriggle themselves deep within the places in the psyche that archive and chronicle sound sequences heard in the past and their corresponding responses, associative feelings, etc. And like the aforementioned execution precision found with Nudity, Pangs sets out to be the literal pang that occurs on a near physiological level from within the being of the listener that experiences a host of reactions caused via audio ingestion.
The life and death continuum conventions are discarded for the existential cosmic paths of connections, conceptions of the self and others that are all star-crossed in perpendicular maneuvers across an astral plane graph. From Nudity to Pangs, what sorts of visionary pop pangs came into play for the creation of this solo outlet? Pangs is just another outlet for us.
Beginnings are always fun. I try to write the type of songs I like to listen to and lyrically those can be veiled; enough to trigger whatever creative response from the listener.
All the same we like really literal songs too. We dug in from there. I think his was produced by Nick Lowe who played bass on it too. But you try anyway. Nashville is growing and changing faster than I can ever remember.
And that feels like our old Nashville. These are the resilient street-level kids, heads down doing good work; civic issues, art, all of it. Yeah more songs are coming. They might be way different than this set.
So there might be some grimy punk shit and then some really pop stuff and who knows what else. We just want to stay busy and be fearless, So Dangerous - Presence (8) - The Sleeper Awakes + Live (Vinyl. We would love to collaborate.
Pacey keeps her light twinkling in a sad, wistful way that mulls through the losses of the past while slowly swaying solo toward a keyboard sparkling passage of her own creation. I started writing music as Konig the summer of That month I visited my family in Kingston, Ontario, for the So Dangerous - Presence (8) - The Sleeper Awakes + Live (Vinyl time in quite a while and spent the bulk of my stay by myself.
One morning I went out for a run by myself and was shocked at how eerie my neighborhood was at 6am. It is almost total garbage. A lot of things happened during the production to help solidify that: I went through a massive break up; moved back to my hometown; became best friends with my mom; rekindled friendships from high school.
I may never stop, as it is pretty freeing. At one point my ex let me borrow his laptop he is a great guy. I used the laptop keyboard instead of a midi-controller for the music, and the vocal was recorded on the Macbook microphone. Whether or not I was hungover is open to debate, but I was definitely sad at the time. Have I driven the point home that I was a mess? I was a mess. How would you describe your own musical steps of progression in a behind-the-music documentary sort of way?
It depends on the day. I tend go for a walk for a bit, then usually a short poem pops into my head, usually the length of a verse.
That comes with a melody, so I type the verse up on my phone, then record an a cappella version while I walk around. I go home, make a beat. I match the aforementioned lyrics with the music I made if they feel right together. I come back to the music over the course of subsequent weeks to do needed additions or edits — this tends to happen between three to six times. Toronto always has so many cool artists and movements happening, was wondering what you are really excited about right now in your local vicinity?
I know a lot of super talented people. The man is a talent. The guys who do Laser Blast really know how to program an evening. Graham would constantly play great music in his living room while I stayed there.
Music for weeks, literally. In response, I tried to convert him to Kanye. You can really lose yourself. I just read Streetcar Named Desire. United Ghosts, photographed by Dyland Gordon.
Mystical doorways to heaven emerge with the burn of lightbulbs in the foreground, as images of the band walking, performing, singing, and posing are encrusted with images of diamonds surrounded by a world of paper-cut stars. How did United Ghosts move from the studio into a full band and then back to a two-piece? Axel: I guess the two of us have a strange way of working, a slightly surreal bubble we get into, isolated from the world.
The initial studio phase was us creating our first songs in a Garage as a two-piece. Then we got a couple more people involved for the first album and turned into a full 4-piece band, but after a long European tour in late it became apparent that we wanted to change direction and go back to the original way of working.
Back into our bubble, if you will. In what ways has the hazy, murky, electric night-pulse of LA informed the sound of the group? Axel: In a big way! LA has its own rhythm, the light grid, people and traffic, always moving, the way it flickers on and off all the time, especially at night. That definitely inspired our recent venture into more electronic beats and the synth-pulse underneath the guitars. Watch out for the next one by the way, by our pal Chris Seligman from the band Stars.
Sha: The big leap was to go back to the two piece writing core, strip things down and work the way we did when we started. Where the album was more sprawling and epic with the full band, I think this felt more focused and sharper. Axel: The Black Windmill is just this open thing, something I came up with as a platform to play around with outside of United Ghosts.
It can be just me, or a loose collective involving other musicians. I like to composite imagery from different sources to add layers of depth and context to the visuals, and sometimes stumble upon another dimension in the process. Big Black Delta was a great show when we played together, really powerful sound and setup. The Scotland artist descends from her perch in the Highlands for her fifth proper album, MacGillivray cloaks her vocal recitations with sections that excerpt choral cathedral choir backup that are intertwined with an echo of voices that traces across the hills, and lowly valleys where the muted baroque instrumentation is imbricated with bellowing breezes and blown breath of wind.
The sensory of being lost in the Highlands is stirred by the atmospheric digital ambiance that plagues a folk song about cursed and damned entities that intertwine the angelic dimensions with earthly forces. Working in a dissection room with angels.
I know of somebody who translated Samurai sword play into playing the guitar with a knife. The real situation is embedded deep in a childhood outhouse with braces of birds, a knife sticking a letter to a door and an overwhelming sense of fear. Give us some insights into your own creative approaches in making this kind of evocative music. The rest adhered itself to this sonic space in allusion to early 4AD sound.
I am very fortunate in that Tim Noble at Hundred Acre Recordings and musician with The Lowland Hundred had a finely tuned and sympathetic ear and has been enormously supportive through So Dangerous - Presence (8) - The Sleeper Awakes + Live (Vinyl evolution of the album. Well the apparition of hope is upon us, quietly sitting watching. Water-drenched landscapes and soundscapes are intrinsically Scottish though usually saturated with whiskey or tears.
For me, as a dynamic personality Mary is more rock than anything else but she wrote in her first language, French, which has been translated — most often by men. So I started to look again at Chanson and have been feeding on Jacques Brel, Juliette Greco, Serge Gainsbourg and actually an early figure within the tradition of Chanson; Ronsard who was a lifelong friend and poetry tutor to Mary. The sun and sea streaked sounds from The Fourth Wall set out with confident chords that will naturally find you straightening your posture, lifting your head highers as the quartet combine sounds from beach to shining beach that are created through the squelch and squall of electric effects that both emulate and illuminate like the life lessons and events experienced along the sunrise and sunset cycles.
Moving was a terrifying process, but it also forced us to really zero in on what we wanted to achieve artistically. I think there was something to the dizziness of the transitional period, and the fact of being in a new city, that allowed us this freedom to be more honest with ourselves musically. That also meant that we had to work harder than ever before to craft a piece of music that made us happy.
With easy grooving chords, three part harmonies of untouched vocals and mellow moods; Abraham, Mike, and Randy transform the metropolitan concrete castle grids of NYC into one big sandy beach party.
Friends are invited to join and sing along, where the skyscraper lights play about the skies in the extended twilight like fireflies. Right after the following debut, read our interview The Letter Yellow after the jump.
Describe the sorts of paint LP) metaphors, and similes that inspired the sky dreaming album Watercolor Overcast. Our rehearsal studio was located on a very majestic corner where Greenpoint and Williamsburg meet now we are one block away on N14th.
The building is an odd corner building like a miniature flat iron building. We walked out and amidst gasping for oxygen we beheld an absolutely gorgeous sky dripping in beautiful pastels. It felt perfect to us all. Lyrically it just felt natural to sing this as a duet. I remember Mike drummer suggesting we get Denitia from Denitia and Sene to sing this as a duet as our engineer and co-producer Nolan Thies was good friends with her and they work together often.
Fortunately she really liked the song and agreed to do it. It was pretty impromptu. We are also busy at work on our new album having most of it written which is good news as getting an album to the final stage takes a lot of time and I think we are simply on schedule though it may feel like we are ahead. Keep your eye on our website as we are always full of surprises!
Casey along with fellow Chapel Hill brass John Bowman, and Nick Senese adapt their midnight scary movie matinee sound into a cult feature short of their own where Cook is being carried throughout the various corners of the globes courtesy of a green screen and aggressive energy. The monoptic monster takes Casey on a journey around the earth, initiates a full band performance, that inspires a an intergalactic dance party, a soaring ride through the friendly skies, leaving our heroine Casey embraced by the oceanic tides.
The metaphoric journeys of mending a broken heart are shown through fractured recollections of places been, travels enjoyed, through the upset feelings and fragility during the personal rebuilding process. Here the one-eyed antagonist made from a muscle suit takes on the complicated enigma of both friend, foe, a force who opens up whole new worlds, demands a private Midnight Plus One show, only to leave our protagonist out in the abandoned waters.
Gut wrenching heartbreak, the kind where you want to erase the other person in the end. Tell us about what the visual adaption was like that involved lots of physical dragging, green screens, and other effects.
I was thinking about the image of my body being dragged through various landscapes and thought it worked well with this song. I wanted to be dragged around the world. The cyclops adds humor, an antagonist that becomes a friend or confidant, the same way getting over a heartbreak takes you somewhere new, seems so trivial when time passes. You may even become friends with, or grateful for, the thing you once wanted to erase. We practice in a tiny room where mold grows on the guitar cases.
I also wrote a song called La Bump in which I took the lyrics directly from my seven year old muse. The Chapel Hill, NC report? There seems to be always something cool shaking around there.
We like playing at The Cradle and supporting locally owned businesses. The courses of C86 schooled handbooks are adhered to as quick as they are upset by pronounced sections of delightful interruption of fuzzy guitar bursts. What sort of inciting events and episodes lead up to the creation of Kissing Party?
Drinking, thinking, dreaming, magazine clippings, seeing other bands and hating other bands, but what led to the actual creation of Kissing Party was lying to a promoter about having a band and booking a show without having a band, forcing myself to form a band to play the show. The title of Looking back it was romantic but at the time i was suffocating is possibly one of the most striking and remarkable album titles.
What sort of mixed emotion glances back inspired this title? The title was literally taken from a text sent from an ex-girlfriend. Trashy snapshots and lifestyle choices that may or may not have contributed to this song? What are you all most excited about right now local, or non-local right now? De rest mag er trouwens ook wezen en is soms ook wat steviger en meer up tempo. Mumford and Sons — Wilder mind 2. Benjamin Clementine — At least for now 4. Slow Show — White water 5.
Bill Fay — Who is the sender? The innocence mission — Hello I feel the same 7. Chantal Acda — The sparkle in our flaws 8. Daniel Norgren — The Green Stone 9. Kloster — Half dream, half epiphany Low — Ones and sixes. De winkel van Hans komt trouwens nog voor in het onderstaande clipje.
Behekste plaat die mij niet meer loslaat. Niet zijn beste plaat, maar hij raakt de gevoeligste snaren als nooit tevoren. Daarom lenen de Deeldeliers wel zijn naam, maar laten de Deelder zelf wat op 1 snaredrum roffelen en hier en daar een gedicht voordragen.
Maar wat kan dit trio ronken! Een robuuste plaat met vooral heerlijk orgelspel. Vorig jaar nog was ik helemaal weg van When The World Was One, nu alweer een minstens even goede plaat, met dit keer ook vocalen. Normaal ben ik niet zo van de gladde producties, maar voor Halsall maak ik graag een uitzondering! Wat een talent heeft deze man.
Er staan een paar minder sterke nummers op, maar niettemin is het een consistent album dat me in de ziel raakt. Perfecte kruisbestuiving van Cubaanse en West-Afrikaanse muziek.
Dit nieuwe album is een logisch vervolg en toch weer anders, en ook zeer prachtig! Kloster begint de nieuwe huisband van mousique te worden, lijkt het wel. Er is iets met de bedwelmende warme sound van dit gezelschap, en dit nieuwe album is ook weer een heerlijke luisterervaring. Ondergewaardeerde Scandinavische band. Op Balbalou bezingt de vrijzinnige moslim zijn manier van humanistisch geloven en zet zich af tegen de extremisten die de kern van liefde verloochenen.
Er is geen bal van te verstaan natuurlijk voor een eenvoudige Hollander, maar dat maakt niet uit, het is prachtige muziek en balsem voor de ziel. Davis — a new day! Indachtig deze gedachten en met het mooiste boek dat ik dit jaar heb gelezen, Jozef en zijn broers van Thomas Mann, voor ogen, volgen hier wat platen die dit jaar indruk maakten. Twee zonen van Ramsey maken onderdeel uit van The Pines. En Kevin Gordon? Prachtige platen, allemaal.
Staat het mooiste liedje van het jaar hier op? Schitterende tweede plaat van de Zweedse spacerockers. Ternauwernood op vinyl exemplaren kunnen bemachtigen. Rocky Votolato — Hospital Handshakes Het gaat weer goed met de man die ooit met zijn broer in Waxwing speelde. Indie rock.
Met wat punk erdoorheen. De teksten van de elf liedjes op Hospital Shakes zijn donker, schetsmatig. En hoopvol. Water is een metafoor. Het kookt. Het zingt op rotsen en onder bruggen. Het is een vloed die schoon wast. Een rusteloze zee. Gold — No Image Tweede plaat van deze Rotterdamse band. Op Profound Lore! Let op: de videoclip bevat behoorlijk gruwelijke beelden! Frosted spoons of baby food Pushed into mouths Lips purple with addiction God is here with His Son Wher the wind cracks blue faces And the makeup freezes.
Woorden die ook opgeld doen voor Steve Taylor. Samen met o. Jimmy Abegg maakte So Dangerous - Presence (8) - The Sleeper Awakes + Live (Vinyl zowat het beste album uit zijn lange muzikale loopbaan. Op Sounds Familyre, het label van Danielson.
Dat is misschien iets te veel eer, maar dit dubbelalbum blijft mij intrigeren en verrassen, iedere keer dat ik het draai. Oude cowboyliedjes worden afgewisseld met hymns en autenthieke oude geluidsfragmenten uit de geschiedenis van the frontier en het wilde westen. Maar ook een heus jodelkoor komt langs.
En vele gastmuzikanten w. Op sommige momenten zou je zweren dat Johnny Cash is opgestaan uit de dood; Russells stem lijkt bij vlagen griezelig veel op die van de legendarische countryzanger. Cash is overigens zelf ook echt te horen, net als Walt Whitman en Lead Belly. The Rose… is een folk opera waarin armzalige Ierse immigranten, beruchte outlaws, rondreizende predikers, schietgrage sherrifs en Pater Damiaan hoofdrollen spelen. Als je, net als ik, houdt van americana, traditionele Amerikaanse muziek en Amerikaanse geschiedenis, dan is dit de plaat van het jaar.
Meer dan een miljoen Noren vertrokken in de 19e en begin 20e eeuw naar de VS en vestigden zich in de Midwest. Eick bezocht de Midwest en voelde zich op onverklaarbare wijze thuis. Dat is te horen op dit instrumentale album waarop hij een geniale mix van jazz, kamermuziek en folk brengt.
Euforische en melancholische momenten wisselen elkaar af in een kraakheldere productie. Een meesterwerk. Maar wel heel erg goed gedaan. Voeg daar aan toe de persoonlijke en eerlijke teksten van Leon Bridges en je hebt een album dat niet onderdoet voor het veelgeprezen debuut van Michale Kiwanuka een paar jaar geleden.
Soms misschien zelfs een tikkeltje te zwaar aangezet. Maar prachtige melodieuze nummers en sterke vocalen maken dit tot een plaat die herhaaldelijk te vinden was in mijn cdspeler afgelopen jaar. Sterke composities, ijzersterke teksten: sociaal bewogen en vol passie gezongen. Als vanouds. Kwam op de valreep deze maand mijn top10 binnen.
Direct gegrepen. Wat een klasse. Voor mij als altijd inspirerend. Beter dan zijn debuut zelfs. Mijn ambivalente houding ten opzichte van zijn soms nogal destructieve teksten maakt dat dit album niet hoger op de lijst staat.
Op dit album covert de jazz zangeres standards van Billie Holiday. Bijzonder is dat ze productie heeft uitbesteed aan Nick Launay Nick Cave.
Dit album is, mijn inziens, onterecht ontsnapt aan de aandacht van veel recensenten dit jaar. Americana in optima forma. Innovatieve hiphop uit Schotland.
Ik heb getwijfeld over die Otis Taylor Daniel. Ik denk dat je gelijk hebt. Langhorne Slim zingt ook mee op Hey Joe opus red meat. Ook over The Lone Bellow getwijfeld. Uiteindelijk vond ik hun eerste plaat net wat beter geproduceerd door Charlie Peacock en daarom heb ik Then came the morning niet opgenomen in mijn lijstje. Het is mij compleet ontgaan dat de eerste Lone Bellow door Charlie Peacock geproduceerd was! Ik wist niet eens dat er een link was tussen die twee.
Allemachtig WIm!! Dit doet me zo denken aan de roemruchte Mousique-avondjes ahum, LP), waarom dat verkleinwoord?!?!? Ik bedoel dat volstrekt positief, maar dit is natuurlijk geen jaarlijstje, maar jouw muzikale missie… Tot het punt: Martyn Joseph ga ik zeker nog eens checken. Hij komt hier trouwens in Gouda optreden.
New & upcoming album releases. Music never stops: as true in as it was in , and all the rest. The most exciting drop of the year will surely be the 20th anniversary edition of David Gray’s ‘White Ladder’, but please also turn your attention to some of the other choice morsels on their way over the next twelve months. The Presence albums Nasa explains "We strive to speak factually about subjects but present it creatively. A lot of underground hip-hop that deals with politics or world affairs ends up putting their own lefty, liberal spin on it or comes off preachy. Vinyl Only. Gutschein. Versandkosten. Kontakt. DE EN. Log In. WhatsApp Support About us Shipping costs Contact General terms data privacy statement disclaimer gift coupon DE EN. decks records OHG. Alle Rechte vorbehalten.
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